notes
an ongoing record of the work — the construction, the references, the women we keep returning to. written by the founding team.
on the woman in black, 1884
the best black dress is the one that lets the line do the talking.
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twenty-four bones, one zipper
an 1890s american corset — cotton, boning, metal. the metropolitan museum of art, gift of albert ten eyck gardner, 1961.
on gina, in 1954
sophia, between takes
what “30-momme” actually means
on making the corset invisible
on the geometry of the ratio
the lace cord, version nine
on the question of the waist
why we keep coming back to the same waist
